Weight: Strong or Light
Unit: Extra-daily Techniques
Theme: Weight
I
Introduction
Weight is about sensing one’s body mass in relation to the pull of gravity. Using this experience to explore its expressive potential within a dance or movement proposition allows the dance/movement artist to diversify the choreographic frame. Using Rudolf Laban’s Effort concepts as a springboard, we will explore three weight qualities: Resiliency, Strength, and Lightness.
II
Learning Objectives
Understand the fundamental principles of weight
Explain the necessity of weight to move
Gain an awareness of the role that weight plays in dance making
III
Main Lesson
1
Warm Up/ Stretching
Relenti / Philip Glass Music
2
Concepts
Resiliency
Sensing one's weight in relation to the vertical point of gravity. It is releasing the center of weight into gravity, registering it at
the bottom of your demi-plie and slightly rebounding it upward; its
orientation is in the vertical dimension.
Weight Transfer
A weight transfer or weight change is dancer's movement so that their weight is moved from one supporting foot (or supporting limb/body part) to another one fully or partially.
Partial Weight Transfer
In partial weight transfer the center of gravity is shifted to project between the old and new support body part.
Strength
Strength
is pushing and driving through gravity. There is a certain amount of
resistance employed. It is following through with the horizontal
plane. Engaging the center of weight through gravity. The center of weight
forcefully pushes through gravity, thus achieving an outward
directionality.
Lightness
Lightness is withholding one's weight. It is being sensitive to the pull upward. It is resisting gravity. It is exaggerating the body’s relationship with levity to the upward space.
The weight lingers at the apex before it carefully and gradually
descends and releases into gravity.
LINK:
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IV
A Note to Remember
Jean Newlove, the author of “Laban for Actors and Dancers,” says that observing how other people walk—considering weight placement begins the bodily narrative through movement—is a useful place to
begin. Notice, for example, if the person leads with their chest or
their knees when walking, or if they’re heavy- or light-footed; decide
what that means for the “character” this person is.
In choreographic work, weight qualities are one aesthetic consideration among many rather than being the main focus of the work.
Resiliency means releasing the center of weight into gravity, registering
it at the bottom of your demi-plie and slightly rebounding it upward;
its orientation is in the vertical dimension.
All these movement elements studied by Rudolph Laban, are what Eugenio Barba defined as extra-daily techniques, which he emphasized as the basis of the scenic presence. The relenti excercise practiced today comes from Cristina Castrillo, director of Teatro della Radici.
V
Case Study
VIDEOS
Weight
Strong
Light
Question 1
Based on the two videos, compare and contrast strong and light weight.
Activities
After
exploring the weight qualities (resiliency, strong and light), create an 8 movement
phrase in which you combine the three. Record it and post it on
Discussion Board.
VII
Glossary
Resiliency: Sensing one's weight in relation to the vertical point of gravity. It is releasing the center of weight into gravity, registering it at
the bottom of your demi-plie and slightly rebounding it upward; its
orientation is in the vertical dimension.
Weight Transfer: A weight transfer or weight change is dancer's movement so that their weight is moved from one supporting foot (or supporting limb/body part) to another one fully or partially.
Partial Weight Transfer: In partial weight transfer the center of gravity is shifted to project between the old and new support body part.
Strength: It
is pushing and driving through gravity. There is a certain amount of
resistance employed. It is following through with the horizontal
plane. Engaging the center of weight through gravity. The center of weight
forcefully pushes through gravity, thus achieving an outward
directionality.
Lightness: It is withholding one's weight. It is being sensitive to the pull upward. It is resisting gravity. It is exaggerating the body’s relationship with levity to the upward space.
The weight lingers at the apex before it carefully and gradually
descends and releases into gravity.
VIII
Sources
Weight Qualities. https://dance.osu.edu/research/vjb/weight-qualities
Woltmann, Suzy. Laban Movement Analysis: An Introduction for Actors. https://www.backstage.com/magazine/article/laban-movement-analysis-guide-50428/
IX
Journaling

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